Oct 23
Coraline
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From the September 27th Variety

Animation house Vinton Studios has purchased film rights to Neil Gaiman’s Hugo Award-winning children’s book Coraline as a helming vehicle for “Nightmare Before Christmas” director Henry Selick. Bill Mechanic’s Pandemonium Films will produce with Vinton.

Adapted by Selick, “Coraline” is the story of a young girl who discovers an alternate version of her life after walking through a secret door in her new home. HarperCollins published the book in 2002.

News was also covered by Sci Fi Wire, and The San Francisco Chronicle amongst other sites.

Coraline entries now exist at Counting Down and Wikiverse

Oct 23
New Dimension Comics appearance
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All the Rage is reporting the following; as with all rumour columns, mind the source:

[Silver Bullet Comics] contributor, Michael T. Deeley sent in the following report from Neil Gaiman’s recent appearance at New Dimension Comics in Pittsburgh:

  • Marvel will reprint Miracleman and Neil’s conclusion to his story within the next 18 months pending the conclusion of contract negotiations. “We’re dotting i’s and crossing t’s.” Neither he nor Quesada have decided what his next project at Marvel will be.
  • The movie MirrorMask, which he wrote and Dave McKean directed, is in post-production. Neil’s just finishing the movie script book, which he described as practically a graphic novel. MirrorMask has been submitted to the Sundance festival, and will hopefully premiere there in January, followed by a limited release in early spring.
  • Good Omens will not be turned into a movie with Terry Gilliam as director. Terry Gilliam couldn’t find a studio willing to do a comedy about the end of the world after 9/11. Johnny Depp was slated to play Crowley. The film company is talking to other directors.
  • Death is going through at New Line Cinema. Neil just got notes from the studio. Some big stars are interested in appearing in it, but he’s not allowed to say who.

Oct 21
Gothic! Reviews
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From the February 2005 Reading Time

NOYES, Deborah (ed) Gothic! Ten Original Dark Tales Candlewick Press, 2004 241pp$24.95 ISBN 0763622435 SCIS 1192077

The introduction to this book talks about how we all like to experience a little fear provided we know it is safe to do so! This book plays on that notion, with stories of ghosts, of murders, of possession of supernatural warnings. The introduction defines the gothic genre for young readers who may not be familiar with it. The setting is often important in the gothic story, with haunted houses, unjustly imprisoned heroines, a hero who might be a villain (or vice versa), ghostly woods and graveyards abounding. Several of the stories in this collection play with all those ideas. Some, like Neil Gaiman’s offering “Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire” is a good natured spoof of the genre - from the title onwards! Some of the stories have humour, some horror. They are not all strictly gothic, but it’s a good ‘catch-all’ title. As is often the case with anthologies, the stories are not all of the same standard. Joan Aiken’s “Lungewater” sets a wonderful standardand Barry Yourgrau has some lovely touches of humour in his story. “Have no fear, Crumpot is here!”. This is an unusual collection; I don’ tknow of another gothic collection aimed particularly at young adult readers. Recommended.

***

From the Nov/Dec 2004 Horn Book:

Gothic!: Ten Original Dark Tales, Deborah Noyes, editor. 241 pp. Candlewick 9/04 ISBN 0-7636-2243-5 $15.99 (High School)

These ten terrific tales are guaranteed to raise the hairs on your neck and just possibly a scream in your throat. The well-balanced collection ranges in tone from dark humor to eerie mystery to true terror. Neil Gaiman threads every stock motif of the genre through his campy sendup, while Garth Nix gives dignity in death to an ancient vampire.

Atmosphere is everything, and the best of these writers awaken our fears simply by setting the scene. Joan Aiken’s classic tale of twisted love takes us to a narrow path high above a raging river; M. T. Anderson returns to the dangerous world of Thirsty, where familiar places are infested with witches and demons; and Vivian Vande Velde’s haunted Halloween hayride on a stormy night is enough to raise a serial killer from the dead. Gothic, by definition, insists on the burden of the past, writes Noyes in her introduction, and many protagonists here must pay for their own crimes or even the crimes of others with often-tragic results. Intrepid readers will relish the delicious shivers but may want to keep the lights on.
–Lauren Adams

***

From the October 15th Booklist:

Gothic! Ten Original Dark Tales. Ed. by Deborah Noyes. 2004. 256p. Candlewick, $15.99 (0-7636-2243-5).

Gr. 7-10. The slightly generic cover design and forthrightly generic title of this collection may lead many readers to expect shrieking heroines, dreary castles, lurking vampires, and other tropes of the gothic tradition. They wouldn’t be wrong, but they wouldn’t be exactly right, either. Sure, many of these original tales, by the likes of Joan Aiken, Neil Gaiman, Gregory Maguire, and Vivian Vande Velde, ape the vocabulary of the genre(”necromancer,” “escritoire”) and play with its abundant clichs (a house has as many “curses as it has spiders and silverfish”). But the maidens in peril still have to do their homework; twisted events are as likely to transpire in American suburbs as in dreary castles (in M. T. Anderson’s exceptional “The Dead Watch,” shapeshifting witches eat Triscuits and use ATMs); vampires whine about the garlic in the spaghetti sauce and then attack their babysitters. Ideal for high-school literature classes studying Shelley or Stoker (Gaiman’s smirking contribution, which toys with genre definitions, would work particularly well in the classroom), this collection also provides an excellent opportunity to introduce fans of Koontz, Rice, and King to some of the most imaginative exponents of YA dark fantasy.
–Jennifer Mattson

Oct 21

From the December 12, 2004 Sunday Telegraph:

…The Day I Swapped My Dad for Two Goldfish by Neil Gaiman ad Dave McKean (Bloomsbury, pounds 12.99) is another example of perfect writer/artist symbiosis, with McKean’s special blend of graphics, collage and fine art feeding off the wit and perfect timing of Gaiman’s text. Having swapped his father, permanently attached to his newspaper, for two goldfish, a boy tries to trade him back only to find that he has been swapped on. The boy and his sister follow the trail of swaps which eventually leads to a rabbit named Galveston and the father - still reading his newspaper - in a hutch. One of the most desirable books of the year for six-year-olds upwards and their parents - I wouldn’t swap it for anything…

–Dinah Hall

***

From the December 11, 2004 Montreal Gazette:

The Day I Swapped My Dad for Two Goldfish, by Neil Gaiman, illustrated by Dave McKean (HarperCollins, 58 pages, $23.99), was first published seven years ago but makes its reappearance in fine form - with a new dustjacket, an afterword explaining the genesis of this story, and a CD of Gaiman reading the tale in his British- accented voice. (I could do without the advertisement that follows the reading, however - for a later anthology.) Gaiman and McKean have a strong and loyal following for their Sandman series of graphic novels; The Day I Swapped My Dad marked their first foray into children’s literature, which has since yielded at least two other collaborations: Coraline, and The Wolves in the Walls.

–Bernie Goedhart

***

From the December 5, 2004 Sunday Times:

Two exciting picturebook illustrators produced books this year: Dave McKean followed Wolves in the Walls (written with Neil Gaiman) with The Day I Sold My Dad for Two Goldfish (Bloomsbury Pounds 12.99), about a swapping trail starting with a preoccupied father, and Alexis Deacon, author/illustrator of Slow Loris and Beegu, teamed up with Barbara Jean Hicks for Jitterbug Jam (Hutchinson Pounds 10.99), about a little monster afraid of the boy under the bed. Both contain the sort of skill and imagination that most illustrators can only dream about.

–Nicolette Jones

***

From the December 1, 2004 Edmonton Journal:

Best known for their work on the canonic Sandman comic book series, writer Neil Gaiman and illustrator Dave McKean are starting to be well respected for children’s books like The Wolves in the Walls. Their first picture book — 1997’s The Day I Swapped My Dad for Two Goldfish — has just been re-released.

Though the shaky-on-purpose line drawings and the highly textured, collage-style painted pages may be a tad much for the traditionalists in the house, it’s a sophisticated objet d’art that’s as much a treat for the adults as it is for the kids.
–Gilbert A. Bouchard

***

From the 24th October Observer:

The Day I Swapped my Dad for Two Goldfish
by Neil Gaiman, illustrated by Dave McKean
(Bloomsbury pounds 12.99, pp64)

This dad is pictured reading the paper in front of the TV (we do not see his face). His son decides to swap dad for a couple of alluring goldfish. But when Mum comes home, she sends her son off to return the fish and reclaim dad. Unfortunately, he has been swapped again, this time for a swanky, white electric guitar. ‘”Well, he wasn’t very exciting,” said Nathan. “All he did was read the paper.”‘ I admired the lack of cosiness, the astringent dialogue, the mood of the illustrations. The book resembles a burnt orange scrapbook filled with images that, like dad, refuse to stay put. This is a book to make distracted fathers insecure - when they put their papers down. (five up)
–KATE KELLAWAY.

***

From the October 15th Independent:

At the start of Neil Gaiman’s The Day I Swapped my Dad for Two Goldfish, illustrated by Dave McKean (Bloomsbury, pounds 12.99), a young boy, with ingenious bravado, wants his best friend’s goldfish so much that he swaps them for his dad: he is so boring, always reading the newspaper. From here, events move fast and his dad then gets traded for an electric guitar, a gorilla mask and a fat white rabbit. This fruitful foray into the childhood longing for parents to bog off ends with brother and sister, after a frantic search, finding their father in a chicken run, still reading his newspaper. This is a glory - a special brew of devilishly unique pictures and funny, spot- on perceptions.
–Sally Williams

***

From the October 10th Patriot News:

The Day I Swapped My Dad for Two Goldfish by Neil Gaiman, pictures by Dave McKean, Harper Collins, 64 pages, $16.99. Ages 4- 8.

Inspired by the author’s personal experience as a parent and a big brother, a boy’s father is deemed the only commodity valuable enough to trade for a friend’s two goldfish. Needless to say, mom isn’t happy when she finds out, and she sends him and his little sister out on a recovery mission.

Turns out, their dad has figured in a whole series of trades. Following the trail by trading back a guitar, a mask and a rabbit, the boy regains his father, but not his desire to trade a close relative.

Fear not, this isn’t Gaiman’s traditional scary fare like Coraline or The Wolves in the Walls. This reissue of the 1997 book includes a CD of the author reading in his British accent, verifying that the odd, arty illustrations — which will probably appeal more to older readers rather than the young who will identify with the characters — needn’t detract from the humorous story.
–Barbara Tiesch

In addition, the Patriot News has chosen American Gods as it’s Book Club pick for October.

Oct 21
Chicago Humanities Festival
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From the schedule, published in the October 17th Chicago Tribune

Wednesday, Nov. 10

7-8 p.m. Gene Wolfe: Master of Time
Student Center, DePaul University(Lincoln Park).
The admired “dean” of science fiction writers and award- winning author of “The Book of the New Sun” and, most recently, “The Wizard Knight,” discusses his career-long exploration of other times and other worlds. Wolfe is interviewed by author Neil Gaiman.

8:30-9:30 p.m. Neil Gaiman: New Stuff
Student Center, DePaul University (Lincoln Park).
A master of fantasy writing, Gaiman is author of American Gods, Neverwhere, the Sandman series and the young adult fiction Coraline, among other books. He reads from and discusses his work-in-progress, a comedy (”scary in bits”) for adults titled Anansi Boys.

And of course Rob Elder had to say something about the latter in the Critics Picks section:

I’ve known Gaiman, writer of comic books (The Sandman) and novels (American Gods) for the past 12 years, and he consistently surprises me. Not only does he keep one of the most engaging, detailed and insightful diary blogs on the Web (www.neilgaiman.com), but his skills as a reader of his own work are unequaled. If there’s a chance we’ll get to hear some forthcoming work, as the program title suggests, you should be in the front row next to me.

Tickets can be ordered through the Humanities Festival website, by phone (312-494-9509), by fax (312-494-9610), and by mail.

The festival website also has the full schedules for the programs and the children’s festival.

And DePaul University has a campus map to the Student Center, as well as directions to the campus.

***

Wonder how much convincing it would take to get the audience to sing “happy birthday”?

Oct 21

Fox Movie Channel has a track record of listening to its viewership, so it is entirely possible that the rumblings on the internet did move the introductions to be at the start of the movies, rather than at the end of the previous movie. So hopefully tonight is not a one off.

Oct 20
MirrorMask News
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From Superhero Hype:

‘Antonello Blueberry’ wrote in from Italy about new MirrorMask clips that were shown by director Dave McKean.

Last week Dave McKean was in a little town near Rome to act as President of the International Jury for the animation Festival “Castelli animati”. While there (or better, here), he showed some of his past video works, music videos and shorts, and a couple of clips of MirrorMask. He introduced them saying he completed the movie only a couple of days earlier and telling how difficult it was doing such a complex movie on the shoestring budget they gave him.

The two sequences I saw were unbelievably stunning: the first one was a musical number in which golden robotic mannequins springing from some sort of carillon boxes, transform the young Helena, the main character of the movie, from a bland looking girl into a punk-like Alice in wonderland.

The second one was the attempt from the Queen of Shadows to capture Helena and her friend Valentine, trying to escape her. It starts with the Queen having a sort of meeting with some grotesque counsellors, when a little porcupine creature comes in to inform that Helena has fled.

Dave McKean himself acted as a model for the motion capture of the little porcupine.

Judging from those clips MirrorMask promises to be at least a visual orgy filled with beautiful monstrosities.

And Dave himself later told that he plans to adapt another collaboration with Neil Gaiman Signal to Noise as a movie.

***

From the December 1, 2004 Daily Variety:

New films by Thomas Vinterberg, Don Roos, John Maybury, Rebecca Miller, Hal Hartley, Michael Hoffman, Kevin Bacon and Mike Binder are among the 24 titles set to unspool in the Premieres section of the 2005 Sundance Film Festival, which runs Jan. 20-30 in Park City, Utah…
… PREMIERES
“Mirrormask,” directed by Dave McKean and written by McKean and comics creator Neil Gaiman, a Henson Co. fantasy in which a 15-year-old girl can save a kingdom and return home by finding the fabled Mirrormask. Columbia/Screen Gems release stars Stephanie Leonidas, Jason Barry, Rob Brydon, Gina McKee and Stephen Fry…

MirrorMask is part of the non-competition slate at Sundance 2005; the full list of premieres is on their website

***

From the 19 October Australian:

Purveyors of the fantastic should enjoy Mirrormask, the forthcoming fantasy film fresh from the fevered mind of Neil Gaiman, the creative genius behind the Sandman comic series. Sneak previews suggest Neil has gone has gone completely Hieronymous Bosch — conjuring surreal computer-generated landscapes inhabited by dirigible-like floating lifeforms, sumptuous digital sets and an array of bizarre Jim Henson puppet creatures.

Mirrormask is the tale of Helena, a 15 year old girl who enters the world in her dreams and becomes caught up in a struggle between the realms of two opposing magical queens. [They are] putting it together on a shoestring budget of $US4 million ($5.4 million), relying on a band of dedicated supporters working long hours.

***

From the Publisher’s Lunch, weekly sales roundup, just to make it official:
Neil Gaiman and Coraline illustrator Dave McKean’s MirrorMask tie-ins, related to a Jim Henson Company film written by Gaiman and directed by McKean, an oversized complete script and storyboards with notes from the creators, as well as full-color art from the film, to William Morrow, for publication in summer 2005, plus a MirrorMask picture book illustrated with film art, to Harper Children’s, by Merrilee Heifetz at Writers House.

Oct 20
Yep. Another 9:40 PM start
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What Fox Movie Channel (FMC) appears to be doing is running the first host segment after the end of the previous movie. Then it runs interstitals, the feature, and the second host segment.

Since FMC runs their movies commercial free you can probably check IMDB to find out the running time for the movies prior to those featured in the “Nights of Fright” there. For instance, Big Trouble in Little China runs 1hr 39min. Tonight’s first host segment started at 9:40ish.

So given that Batman runs 1hr 45min., in theory tomorrow’s first host segment will start at 9:45ish.

Oct 19
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Excuse me, Fox Movie Channel, but my clock says 9:40 PM right now.

Not 10:00 PM.

So that better have been an interstial involving certain authors coming out of coffins I hadn’t seen earlier and not the beginning of this Nights of Fright thing.

Oh, and yes, much cuter than Zacherley. Like that was even a question.

Oct 18
A quick reminder…
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The 13 Nights of Fright starts tomorrow October 19th at 10:00 PM, EST, with Tales from the Crypt.

Unless I’m reading the schedule wrong, all the movies start at 10:00 EST. Most run around two hours. And unlike the normal Fox Movie Channel scheduling, they are *not* rerunning them twice each day; however, they are running a marathon of them from 10:00 AM EST to 10:00 PM EST on October 31st. Keep in mind, that’s also the first day of Daylight Savings Time, so that makes for an early sort of Sunday.

Oh, and if memory serves, the host segments are different during the marathon than they are during the nightly showings. So you do want to watch both.

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