Dec 19
Clippings
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From the Chicago Tribune:

Creating words and worlds

Neil Gaiman, author of the fantasy series “The Sandman,” said Tolkien “exists outside the orthodox canon of literature. You can’t put him in a box.”

Like Lippert, Gaiman believes that Tolkien’s commercial success is what drove his critics to jealous fury. “If the book had never become a huge commercial phenomenon, the book would have remained well-respected. There’s something about fantasy that rubs critics the wrong way — and so does popularity.”

For Gaiman, though, Tolkien’s achievement is inarguable. “The Lord of the Rings,” he said, “sits like a towering monument among imaginative literature. Tolkien was a philologist who started out creating a language and then ended up creating worlds to put his language in.”

Tolkien, who spent his adult life as a professor of Old and Middle English at Oxford University, from all accounts was bedazzled by languages. As Gaiman noted, many people believe that the chance to create new languages — the dialects and pronunciations of various Elven tongues — were what really drove Tolkien to concoct his mythical world. The story was secondary. And it is the painstaking intricacy of that world — its lists of inhabitants with odd-sounding yet resonant names, its complex weave of legends and songs and dark foreshadowings — that make it enthralling for millions of readers, even those born into a cyber-world of which even Tolkien could not have dreamed.

Full citation: Julia Keller, “Three ‘Ring’ Circus over Tolkien”. Chicago Tribune.

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There’s a positive review of the American Gods audiobook in this Times Picayune article from December 16th.

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Penguin Putnam has put out a trade paperback of Good Omens with new cover art.

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The Young Adult Library Services Association (YALSA) has nominated Doll’s House, Season of Mists, and Death: The High Cost Of Living for their best Popular Paperback Graphic Novels of 2002.

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From USA Today from December 5th:

Neil Gaiman, author and Web logger. He’s hooked on Amazon’s British site, where he can get books, videos and CDs not available in the USA. “I can introduce my friends to the joys of shows they would otherwise have to wait years for,” he says. His favorite non-book site is Thai Supermarket (importfood.com.) “And as an Englishman, The British Express (britishimports.com) is the best place in America for ordering a good British cup of tea. Or at least the teabags.”

Full citation: Janet Kornblum. “Notables of Net share favorites.” , USA Today, 12-05-2001, pp 08E.

Dec 17

From “Audio Books; Fantasies, Mysteries and Nonfiction Perk Up the Ears of Audiophiles” by Rochelle O’Gorman in the Dec. 17 LA Times:

…If fantasy is the genre that makes your favorite audiophile smile, consider the latest from Neil Gaiman, the author of such strange and intriguing novels as “Neverwhere” and “Stardust.” His latest unusual and graphic tale involves ancient deities, genies, leprechauns, ghosts and confused humans. “American Gods” is a supernatural road trip in which a recently released felon finds himself aiding and abetting a race of dying gods from the Old World who came to this country with our ancestors. (Harper Audio; unabridged fiction; 14 cassettes; 20 hours; $44.95; read by George Guidall.)

Putting up one last fight, these forgotten gods pit themselves against new idols worshiped at alters set before television sets and shopping malls. Guidall, another favorite among audio book listeners, enhances the production with his resonant voice and the ease with which he adopts accents and various personalities…

Dec 02
Comfort Books
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Gaiman, Neil. “Nourishing The Spirit”, Washington Post, December 2, 2001, Page T03

Comfort books, like comfort music, tend to offer a place to go — a doorway to another time, where things are simpler or darker, or more reassuring. I find, sometimes, I indulge in comfort writing: When the world becomes difficult, it can be a fine thing to go into a world where your whim is law, and things happen more or less as you thought they would.

My comfort book (fiction) is Roger Zelazny’s 1960s sf novel Lord of Light, a retelling of the Hindu myths and the birth of Buddhism transposed to a distant planet in the far future. It gets harder as I get older not to see the nuts and bolts behind a book, but this is as good as it was when I was a teenager (most books aren’t) and it walks a line between true myth and genre, as valid as either of them. The story, and the people, remain as comfortingly all-enveloping as I could wish.

My comfort book (nonfiction) is Henry Mayhew’s London Labour and the London Poor, a series of interviews with the down-and-out or the down-on-their-luck that starts to feel, after a while, like a plotless but perfect Dickens novel that goes on forever in all directions; the time we spend with the Punch-and-Judy Man, or the Begging-Letter writers, or the costermongers, is good time.

(Neil Gaiman is the author of the Sandman graphic novels and of the recent fantasy novel “American Gods.”)